Sunday, March 4, 2012

On Communion

I can't imagine how the practice of Communion must look to anyone not familiar with it.  Even once marginally acquainted with the context and purpose, it could easily be construed as cultish and superstitious - the symbolic (or, for Catholics, literal) elements representative of the Christ's body and blood, to be shared and consumed by believers in remembrance of his perfect life and perfect sacrifice?
Even seeing it in words make me squirm.

But it is consistently the one thing in this world that brings that burning sensation to my sinuses, makes the tear ducts well, makes my chest swell, and brings me to my knees - more often figurative but sometimes truly.  It is something about which I get emotional.  Emotion, the inarguable way of knowing something to be true- the very base expression of our self - this is affected and stirred in me by the act of Communion.

Raised Presbyterian as a little girl, Communion was served on the first Sunday of every month.  On the occasion I was in the service with my parents rather than in Sunday School, this was a dire situation, as it just added more stuff to sit through.  This was, however, mitigated by the promise of a tiny snack; the passing of those delightfully small-person sized cups; a bite of soft white bread; the fleeting inclusion in the Things The Grown Ups Do.  I remember the solemnity with which I accepted the charge of passing along the tray of grape juice to my pew neighbor and bestowing upon him, with a hoarse and formal whisper, "This is Christ's blood, shed for you." I remember stuffing my tongue into the plastic cups to extract every last drop of Welches Grape Blood.  I remember recognizing that it was a serious but warm event.

One Sunday when we couldn't get out the door in time, my parents opted to hold a small family church service in our living room- a short substitution service of the reading of a few passages and prayer time together.  I wanted to contribute, to make our little service an even more pleasing stand-in to the Lord, so I ran to the kitchen and returned with a bag of sandwich bread and a can of grape soda.  Despite my efforts to line a wicker basket with one of the nice cloth napkins, my good intentioned inclusion of the sacrament was halted humiliatingly by my father, and I was indignant in only the hot and stubborn way a child can be embarrassed.
Lesson learned, though: it was in that way that I came to truly appreciate the sacredness and the import of the act of Communion.  It is surely a big part of why it's so special to me today.

The act of a father in relation to the teaching of Communion figures as a main theme in one of my favorite and most-treasured books, Gilead, by Marilynne Robinson.  The narrator recalls

I remember once when I was a young child my father helped to pull down a church that had burned.  It rained the day we came to pull it down.  The pulpit was left intact, standing there in the rain, but the pews were mostly kindling.  There was a lot of praising the Lord that it happened at midnight on a Tuesday.  It was a warm day, a warm rain, and there was no real shelter, so everybody ignored it, more or less.  All kinds of people came to help.  It was like a camp meeting and a picnic.  They unhitched the horses and we younger children lay on an old quilt under the wagon out of the way and talked and played marbles, and searching out Bibles and hymnals.  They would sing, we would all sing, "Blessed Jesus" and "The Old Rugged Cross," and the wind would blow the rain in gusts and the spray would reach us where we were.. It never rains, but I remember that day.  And when they had gathered up all the books that were ruined, they made two graves for them and put the Bibles in one and the hymnals in the other, and then the minister whose church it was - a Baptist, as I recall - said a prayer over them.  I was always amazed, watching grownups, at the way they seemed to know what was to be done in any situation, to know what was the decent thing.   
The women put the pies and cakes they had brought and the books that could still be used into our wagon and then covered the bed with planks and tarps and lap robes.  The food was all pretty damp.  No one seems to have thought there might be rain...The ashes turned liquid in the rain and the men who were working in the ruins got entirely black and filthy, till you would hardly know one from another.  My father brought me some biscuit that had soot on it from his hands.  "Never mind," he said, "there's nothing cleaner than ash."  But it affected the taste of that biscuit, which I thought might resemble the bread of affliction, which was often mentioned in those days, though it's rather forgotten now. 
"Strange are the uses of adversity." That's a fact.  When I'm up here in my study with the radio on and some old book in my hands and it's nighttime and the wind blows and the house creaks, I forget where I am, and it's as though I'm back in hard times for a minute or two, and there's a sweetness in the experience which I don't understand.  But that only enhances the value of it.  My point here is that you never do know the actual nature even of your own experience.  Or perhaps it has no fixed and certain nature.  I remember my father down on his heels in the rain, water dripping from his hat, feeding me biscuit from his scorched hand, with that old blackened wreck of a church behind him and steam rising where the rain fell on embers, the rain falling in gusts and the women singing "The Old Rugged Cross" while they saw to things, moving so gently, as if they were dancing to the hymn, almost.  It was so joyful and sad.  I mention it again because it seems to much of my life was comprehended in that moment.  Grief itself has often returned me to that morning, when I took communion from my father's hand.  I remember it as communion and I believe that's what it was.  

I can't tell you what that day in the rain has meant to me.  I can't tell myself what it had meant to me.  But I know how many things it put altogether beyond question, for me.

 Communion is a blessed sharing between us.  In a lonely broken place the world so often is, it's a moment of pure connectivity and generosity.  It's a time of clearing away the distraction of days and filling ourselves with goodness.  It's a physical reminder of a metaphysical truth.

When I grew up and returned to Portland after finishing college, I started going to a different church than my parents.  There, we took Communion every Sunday, and, being old enough to not regard the elements of bread and juice (now, wine) as breakfast Part II, it came to be my favorite part of attending service.  At this church, Communion was simply laid out at the front and back of the antique high school auditorium in which we worshipped, the sunlight streaming in through tall glass panes and tumbling over the empty high balconies into our laps.  Music would play and, once you felt ready, everyone in attendance was invited to the table.  You'd stand in line and witness the most heartbreaking acts of love at the communion tables as families embraced each other before partaking, holding each other in communal hugs and praying together.  Some people would approach alone, and kneel, and breathe, and think.  Young couples  stood together and fed one another - a piece of bread, the Body, dipped in the wine, the Blood, from her hand, to his mouth, with whispered assertions about the nature of the elements.  "This, Brian, is Christ's body, broken for you.  And this is His blood, shed for you."  The closeness achieved by being able to say those words to one another makes me ache.  Standing in line, waiting for my turn, watching, it felt almost like an invasion of these special relationships, but I know it wasn't.  Their acts of togetherness and sharing and my bearing witness were all part of the experience of corporate Communion: the churches I have attended and been a part of believe Communion is for everyone.  All are invited to the table.

Once, I brought my parents to this church, and instead of taking Communion alone, we were one of the families who took it together, arms wrapped around each other in love, sharing the symbols of the very basis of our familial love together.  I loved it.  I love the memory.  I love that even though I live in New York, I went to church today, and I took Communion. And today is the first Sunday of the month, and if my family goes to church today, in the church in which I was raised, in the place with the people that helped mold me as the woman I am today, they will also take Communion, and though we are not in the same place to wrap our arms around each other and share the pieces of promises we believe in, we are bound and connected by the sacred love from which it stems.

For me, Communion has transformed from a noun into a verb.  It may have even started as an adjective - a way to describe that kind of Sunday.  It excites me that it could continue to evolve for me; that the communing continues to connect me in new ways to God and to loved ones.  That it is a sort of powerful mystery that will go on to reveal itself through unique expressions of intimacy, grace, and love.

Friday, January 27, 2012

Swanlights

I can't remember, now, how Antony Hegarty and his ethereal yawping came to be a permanent fixture in my music collection. But it's there, on my succession of iPods, embedded in playlists, marked on my womanly heart. The band, Antony and The Johnsons, is sort of an outlier of my tastes, but some days it's the center of my music-soul and everything else shifts to make it the sun. Some days, I have ears for nothing else.

 I had a conversation the other day with someone about how kids can sniff out authenticity, and I think every once in a while, my music sensibilities do the same - Antony and the Johnsons melt like a lemon sorbet between courses, clearing the palate of distraction and chaff.

 In most of the articles and interviews I've read about Antony, the same few descriptors surface repeatedly: otherwordly, haunting, a gentle-giant, passionate spirit, environmental, transgender. For someone who so easily defies the constraints of simple categorization, it's kind of depressing that journalists continue to use the same restrictive language in discussing him, to make it easy to digest and understand him.
Well, I can pretty much say I don't understand him, and I love that. Never moreso than last night when, on my first trip to Radio City Music Hall (which is flooringly gorgeous, by the by) to see him and a 60 piece symphony perform Swanlights - "such an ambitious production!" replete with Nico Muhly arragements, lasers, a gem-like mobile, Ohne Titel muu muu costuming, a Beyonce cover ("Crazy in Love") and lasers. Did I mention the presence of LASERS? So much laser.
{photo credit: Eduardo Milton} I regret to admit that halfway through the first few songs of the piece, I was trying to make Antony make sense to me. I was suddenly VERY interested in how he does his laundry. Does he have an in-house washer dryer? Does he dry clean the muu muus, or hand wash them? What day of the week does he do this laundry? Does he send it out? I so wanted him to be a real person, and not a 6'2" pillar of feminine power on stage in front of Bjork, and Tilda Swinton, and Rufus Wainwright, and Michael Stipe, and all the other New York art-elite. (Fairly positive that will be the last time I can say all of us were in the same building at the same time, ever).

And then I gave up, because a) I was distracted by the lasers and b) I wanted to let myself get lost in the art of it all, and just experience the questions the piece was asking.

 So I did, and it was really great. Just lovely, and inspiring, and magical and authentically weird. Very glad I got to be a part of that celebration, and hope to carry on a little bit of that with me.

Also, time to get myself some lasers. If intrigued, my fave interview of his is here.
I'm 37 now, and as you get older, you revisit the issues that sit with you in the course of your life. I always felt so self-conscious, and I didn't let myself be beautiful for so many years, but by the time you've made your face worthy of being looked at by anyone, you've abandoned yourself in the process. You show up with a pretty face and an empty heart. Life's too short to be slaving around to other people's expectations. We should put on a little make-up to honour the specific dignity that we have within ourselves, but I'm never putting a spot of make-up on for a man again
And, a slightly more accessible song that I lovity love McLoverson:

Friday, August 26, 2011

Come on, Irene

Eleven years ago I experienced my first taste of worldwide pandemonium in the days leading up to the anticipated Y2K disaster. Do you guys remember that?  How scientists and analysts and mainly the news media were convinced that our computers would all freak out and the world would revert to chaos, cholera, and covered wagons?  I think even at the time, as 7th grader, I wasn't that worried about it.
The event came and went with a fizzle, and we all entered the new millenium unscathed.


That is, until months later while poking around in the garage for a bike helmet, I pulled back a tarp to reveal two, high density polyethylene tubs.  Peeling back one of the lids, I was floored to find them stocked full of cans of baked beans, space blankets, flares, jugs of water, yards of rope, a first aid-kit, flashlights, batteries... basically all the stuff that we'd been required as children to stuff into 1-gallon Ziplock bags and store at school in event of emergency.  We called them our "earthquake kits" but in retrospect, they might as well have been called, "panic kits" because in order to bust into those things... one would have to be in dire straits.  But right there in my own garage it appeared my dad had assembled one very real "earthquake kit".  As my dad can fairly be diagnosed with Everyday Hero Syndrome, this might not surprise you, but at the time, it surprised me:  this man was the pillar of logical and rational thought in my world.  If he had bought into the Y2K fear mongering to the extent that he'd been forward-thinking enough to be prepared, then who was I to argue that?  It shook me a bit.

Not enough to pay heed to any further doomsayers, however - we've survived multiple predicted raptures by now, and no tidal wave has wiped out the state of Oregon yet, so I really try not to buy into that stuff.  Which brings us to present day, in New York City.

I wake up late with the sun in my face to the alarm on my cell phone and a missed call from my Uncle Bob in Atlanta.  I figure it is his second attempt at trying to get ahold of me to wish me a happy birthday and don't listen to his voicemail until I am out the door on my way to the bus, so I'm a little surprised when his message is, essentially, "there is talk of evacuating the island of Manhattan, let me buy you a plane ticket to come down and stay with us here in Atlanta."

And for the first time in my life, I start to worry about a naturally occurring predicted catastrophe.
It doesn't help that one of my best friends/neighbor/co-worker Katie LOVES The Weather Channel and can pretty much recite to you the ten-day weather forecast at any given moment, which she does on the bus on the way to work. 

Once at the office, there is a sort of low-level murmur about the news - each of us speculating and asking aloud what everyone else is planning to do.  Mason declares the entire news media to be "full of shit" and predicts that this whole storm is going to be a "kittycat meow-fest".  But a growing kernel of intuitive doubt starts to grow inside me as I scan news websites and read the texts and emails that are coming in, all tinged with a bit of lighthearted snarky New York attitude.

One article tells me to"fill my bathtub to the brim with water", in case we need to use it for water pressure in the toilet tank.  Um, sorry: my bathtub is gross.  Who takes baths in New York?  Our tub looks like a slightly tamer version of the one in Buffalo Bill's basement.

A comparative t-chart starts circulating on Facebook:
A co-worker sends a link to an article on the psyches of people who refuse to evacuate impending natural disasters.  I note that there are two categories missing: Stubborn New Yorkers, and Those Of Us Who Are Lazy.
I think I fall somewhere in the middle as I have made no moves to flee to Atlanta... but all of a sudden, I make up my mind:  As a single young woman living in one of the most intense cities in the world, I would rather be prepared than not.  I drop whatever I am doing at my desk and march down to the pharmacy in our building to "buy supplies."

What, exactly, I am preparing for starts to get a little hazy.  From the looks of my rapidly filling basket it could either be
a) a camping trip (deck of cards, beef jerky)  -or-

b) a "let's stay inside and get baked" college party (pack of lighters, scented candles, brownie mix)

I find myself in the canned food aisle with a similarly dressed Midtown Manhattan professional.  We stand, heads cocked, quizzically scanning the labels for anything that doesn't look like dog food.

"I wonder if I even have a can opener in my kitchen...?" she muses.

They are already sold out of flashlights.  I buy batteries anyway for a flashlight I don't have- honestly because I think subconsciously, "hmm. valuable for trade and barter."

$89 later I am back in the office.  I anticipate my arrival will be met with good-natured teasing.  It's not: it invokes an air of fear.
"Were there any candles left?"
"Did you see if they had any coolers?  I think I need a cooler."

I accompany some sellers on a client lunch and at this point, Irene is the only thing I can think about.  My adrenaline is rushing. I am making mental lists in my head.
I totally freak out our clients - 4 young women also living in Manhattan, away from their parents for the first time.
They start to make lists.
We all start to get email alerts on our phones:  "MTA to shut down all public transportation Saturday at noon!"  "No trains will be running!" "Evacuation and anticipated flood zone map"

When we say goodbye after lunch, we all nervously laugh and wish one another a safe weekend. "See you on the other side! Ha ha."

On the way back to the office, I stop by an ATM to withdraw some cash- it's out of service.  I immediately assume that means it's already out of cash, and walk a block to the next one, quickening my pace.  I withdraw a large wad of $20s and surreptitiously stuff them into my wallet and return to work where I find it very hard to concentrate.
I keep humming the few bars I know of  that one song that goes, "Here I am!/ ROCK ME LIKE A HURRICANE" and am embarrassed that it is literally all I can think about.

So okay, let's be logical about this: what's the worst thing that can happen?  We lose power and have to read and play games and sleep and generally unplug for a while?  Totally fine. Fun, even.

Winds get crazy and knock out one of our windows?  Unfortunate, sure, but, not life threatening.


But you want to know what really scares me, though?  What's really got me worried?


The people.
Specifically, the neurotic, power-hungry, narcissistic people among whom I currently live everyday on this island, except now, IN PANIC MODE.



The post-Katrina looting in New Orleans, a bastion of Southern Hospitality, was bad?  Lets see what happens when an 86 year old Jewish woman and a cab driver from Calcutta go head to head over a can of beans at the Fairway on 86th street.

Dennis Hopper in Waterworld will look like a "kittycat meow-fest" compared to the characters who are going to come out of the woodwork here when Irene unleashes her PMS all over this city (hint: probably closer to Dennis Hopper in Blue Velvet).  She's going to bring the bitchslap, but New Yorkers are going to get their claws out and it is not going to be pretty.

All we can do now is sit, and wait, and hope to God that come Monday, this was another Y2K.

Now if you'll excuse me, I have to go home to clean the bathtub.














Tuesday, August 2, 2011

Rash of Untimely Male Deaths Make Women Feel Better About Themselves

(New York) In an unsettling turn of events, young men in New York City are disappearing.

"They're dropping like flies, out there!" Laura H., Assistant Technical Designer, lamented with a hint a panic in her voice.  Laura moved to Manhattan about a year ago, and lives on the Upper East Side with two other young women in their twenties, whose attentions are similarly held rapt by these bewildering disappearances.

According to the 2010 Census, there are 8,175,133 people living in the city of New York.  Of that, 1,585,873 live in Manhattan, so this publication is confident in assuming that about 50% of that number, 793,000 are male.
But the figure is rapidly decreasing.  Mayor Bloomberg was not available for comment, but it's clear that city officials are mystified by this development, and have no clues as to where these men have gone.

But ask any young woman, and she will tell you with no reservations where their counterparts are:
they're dead.

"Oh, he died. Absolutely. No question," Jessica S., Assistant Merchandiser at Saks 5th Avenue, says, with no trace of irony.  "I mean, it's really the only logical explanation.  I met Michael a few weeks ago, and we really hit it off.  We went to a Yankees game, he paid for everything - he texted me during the work week, said he wanted to see me over the weekend... things were really clicking.  He said-" she pauses, a glimmer in her eye.  "He said he 'really likes' me...and then... it was like, he vanished into thin air.  Nothing.  He was gone."

Jessica hasn't heard from Michael in eight days.  She assured us she enlisted her friends and roommates to patrol the internet to check on all lifelines.  There has been no movement on his Facebook, Twitter, Foursquare, LinkedIn, or GooglePlus accounts. 

"He died." Jessica says resolutely. When questioned about proof, in the form of say, an obituary, she dismisses it with a shake of her head. "Of course we checked.  Did we find anything?  No.  It's because they can't keep up with all the... disappearances.  It's happening all over the city.  I don't know a girl who HASN'T lost someone."

Amanda P., Assistant Media Planner, has been living in Murray Hill for a little over a year, and confirms the startling trend.  She met Chris O'Shaunnesey last month at a pub crawl in the East Village, and the two started dating. "We had this really great connection," she says wistfully. "Like, he checked all the boxes, you know?  We both don't like mushrooms, his dad works in real estate just like my dad...we both LOVE Bon Iver... you know. Like, the real stuff.  Anyway, we were hanging out like, once a week - getting a drink after work, meeting up on the weekends with our friends, and he was so sweet."

Then, tragedy struck.

"We made plans - like, actual SET plans - to go to Long Beach one Saturday.  He texted me the Thursday before saying how excited he was to get to spend time with me, and that 'work had been crazy' and so he was looking forward to it... by Friday night I hadn't heard from him and he hadn't responded to my last text, so I called him, and..nothing. I got his voicemail.  Still no word from him by Saturday, so I went to the train station anyway, thinking maybe he'd like, lost his phone. Or something."
Amanda sat at the station until 1:45 PM when she finally realized that something was wrong.
"And then it hit me.  He totally died.  That was really the only explanation."

Respected Manhattan institution of research on dating and relationships, HBO Series Sex and the City, brought this issue to the forefront with the episode "Frenemies" (2000) wherein Miranda is stood up on a date.  She calls his home number to give him what-for and finds out that he has, in fact, died.
In what should have been cited as the singular most damaging influence on young women possibly ever, ahead of beef hormones and Bratz dolls, this episode has come to life, in the minds of the maidens of Manhattan.

"This phenomenon has really opened  my eyes, and given me some perspective," says Kate M. who works as a Jr. Financial Analyst. "I mean, I now believe in ghosts.  This guy Kyle I was seeing... I was pretty sure he was The One, you know?  And after like, our fourth date, he just dropped off the face of the earth.  I took his passing pretty hard, but, found comfort a few weeks later knowing he was still here," she says, hand pressed emphatically to her heart.  "It was the craziest thing, but I could have sworn I saw him at a Cafe Metro on Lexington the other day, near where his office was.  This tall blonde guy came in alone around lunch time, and I was like, 'Ohmigosh! It's him!' but then I remembered, obvi, that it COULDN'T be.  So, it's just nice to know that like, he's okay, and-" with a sad smile, she says, " And I'm gonna be okay."



With that kind of self-confidence, we have no doubt that she will, in fact, be okay.

Sunday, July 24, 2011

Friday, June 24, 2011

It's unsettling to sign someone else's name.

The letters feel foreign, your pen a drunken wanderer, navigating the new bends blindly - "just along for the ride!" your hand would say.
A normally fluid line of loops is halting; the formal curves off by just enough that only you can recognize the forgery.

I usually have, to be perfectly frank with you, pretty lovely handwriting.

Honed in honors classes requiring copious notes, guided by an inherent artist's appreciation for the aesthetically pleasing, this is no accident: it has been as much a deliberately acquired skill as typing fast, or whistling with my fingers.

But I find myself on a hardwood floor at midnight on a Tuesday, relentlessly scribbling someone else's name into the veritable city of books amongst which I am sitting, over and over and over. It is a conscious and exacting task, and I am anxious, because I can't make the slant consistent. I can't coerce the rounds of the letters to be as round as I want them to be. I can't control the pen as well as I'd like to. I can't get the name to cooperate.
It looks forced.

Lindsay Bozanich
Lindsay Bozanich
Lindsay Bozanich

I want each scrawled, constructed inscription to be perfect for her.
For the letters to stand proud, and funny and well-formed and striking, like Linds herself.

Lindsay Bozanich
Lindsay Bozanich

I start in all capital letters- boldly declaring ownership and defying the indoctrined taboo of "writing in books" from which we were discouraged during library class in elementary school. Criss-cross applesauce, seated in rows, quietly reverent of the magic of books.

I knew it would hum like this; that a soothing rhythm would develop: grab a stack of books, crack the cover, tattoo the upper left corner (Lindsay Bozanich, Lindsay Bozanich), appraise the form and figure of it, close the book and place it to the side; repeat.

We punctuate the melody of pen on paper with soft color commentary.
"Oh, have you read the other one by this author? I can't remember the title, but, it was good."
"Gosh, I haven't read this one in a long time."
But mostly, we are silently intent on diminishing the stacks around us, lulled by the music I put on.

When I'd suggested we tackle this, I anticipated it would go this way: two young women, learning to look death in the face and proceed boldly in its imminence. I am as new at this as my hands are at signing a strange permutation of letters. This idea? It was the best I could do, but I am starting to feel the sense of phony marionetting that the pen in my hand probably would if it could feel.
Lindsay Bozanich Lindsay Bozanich Lindsay Bozanich

I booked this trip a few months back, when Linds first started chemotherapy. Despite it being my only trip back home since Christmas, I made it very clear that the visit would be about spending time with her. A young, busy, social, accomplished woman's routine of self-defining activities interrupted indefinitely to pump her body full of toxic poisons would probably welcome a visit from a close friend. I couldn't wait to come and see her in person, try to be there for her and let her know she can count on me. I wanted to, per my friend Mickey's lexicon, "bring the sunshine."

Once with her, somewhat taken aback (surprised in a fully and wholly altruistic, positive way) by how healthy she looks, how resilient she is, how she's still my sasshole of a role model, confidante, and friend - I still felt compelled, or, actually, longed to "make a difference" and "help" her in place of empty platitudes.

Especially after reading a beautiful blog post she penned while sitting with me at a coffee house in northwest Portland, wherein she gently chastised those of us who want to "help" but still aren't willing to dig in where it counts- the hard parts. The "what if I die?" parts. The "if I go, I want this song at my service, but don't call it a funeral, please" parts, anxiously seeking reassurance that no one be allowed to wear black at such an occasion.

So, at her insistence, I step into those shadows.
Surrounded by her books, her most valued tangible manifestation of a legacy, I asked where they would go if she does. And then, to imprint her record of ownership of all these useful, interesting, rich pieces (which she has sought out, owned, loved, bought, received; drawn and learned from), I suggest we write her name in every last one.
(Lindsay Bozanich Linsday Bozanich Lindsay Bozanich)

I want the L to lead the way for the rest of the letters; for the B to convey all the boldness and ambition of the woman it initializes. I want it to be pretty. I want it to last.

In the event that she doesn't make it, but the books do, I want a lonely person thirty years from now to pick up this well-loved copy of a story and feel comforted, knowing they are in good company with "Lindsay Bozanich"- that holding a hand-me-down from such an strong and inspiring woman would somehow impart them with strength and inspiration by simple proximity to her possessions.
I want this person to sense that they have stumbled upon a valuable artifact that is only a singular element of a rich and real history.

Lindsay Bozanich
Lindsay Bozanich
Lindsay Bozanich
Lindsay Bozanich

I am acutely aware that Linds might not be as into this as I am. That she might not be as into the song we are listening to, into this experience I engineered into existence.
It is also now clear that it is not Lindsay who is benefitting fom this book tour- but rather, this is for me.
It's so I don't have to feel so helpless as she loses her hair, and her breasts, and yes, maybe, possibly, even her life.

It's so I can prove to her and to myself that I am a good enough friend that I am willing to confront her mortality with her. To be there for her in a capacity for which she has bluntly and rawly expressed a deep need.

So this isn't about helping Lindsay, I see. This act, specifically, is her way of humoring me - of leading me into a place where we can stand face to face in tears and say, "I might die" and "I know. Are you scared?" and for her to say any and everything she needs to, without me flinching.

I write your name again and again.
Because okay, if we're going to go there, if this vile illness steals away the rest of your years and your books are your progeny, sent off into the world bearing your name and traces of your being, if I know anything about the way this world works, I will run into those books for the rest of my time here. Not haunted by them, but predictably and consistently our paths will cross.
And I want to greet them as old friends in your place, and I will be really, really upset if my handwriting looks bad.

Lindsay Bozanich
Lindsay Bozanich
Lindsay Bozanich

Sunday, April 17, 2011

Stand up for real jokes

Note to self, and all other secretly aspiring stand-up comics in hiding

I went to a comedy show Saturday night.  Turns out, cliches aren't funny, so when doing a stand-up routine, feel free to never again speak, or speak of, the following:

1. "Justin Bieber" is not, in itself, a punchline.  Same goes for "Sarah Palin." Try harder.

2.  "THE SUBWAY" and stories thereof cannot sustain an entire stand-up routine, as true as all your numerous observations and frustrations may be.

3.  We get it - Ed Hardy shirts are awful, and so are the people who wear them. ...Good one.

4.  Old women: not funny when you're vulgar.  It just makes everyone want to cry in discomfort, which isn't why must of us go to comedy clubs.

5.  Jews are typically bad at sports, gay men like interior decorating, women's breasts sag as they age -  Let's evolve our self-deprecatory material, people.